Category Archives: special collections

L’Architecture Francaise de Jean Mariette

Mauban, André. L’Architecture Francaise de Jean Mariette. Paris: Van Oest, 1945.

In L’Architecture Francaise de Jean Mariette, André Mauban indexes the collected works of engraver and book collector Jean Mariette whose own publishing efforts included the completion and dissemination of at least five volumes concerning French Architecture. L’Architecture Francaise de Jean Mariette is divided into to two sections, the first indexes each work represented in Mariette’s five volumes and the second assembles notes, references, and plates that demonstrate Mariette’s work and explore his significance and influence. Throughout this French-language tome, Mauban is considerate of the reader, providing explicit instructions for using and understanding the book.

Library of Congress call number: NA 1041 M3 M3

New Collections, Maps, and Turtles!

Howdy all, and welcome back for another Mayaland Adventure! I hope everybody enjoyed the Independence Day weekend. The Architecture and Planning Library and Alexander Architectural Archive were closed over the weekend to celebrate, so it’s good to be back.

Recently, along with the volunteering on George F. and Gerrie D. Andrews Maya Architecture Collection, I worked with Donna Coates on accessioning a new collection. The process requires understanding the difference between relevant information and data for the archive, and that which is not pertinent to keep.

Some of the material is not kept because we can get copies online or within other resources, which includes items such as government documents or photocopies of publications. These items, though at times are rather interesting, cannot be kept due to limited space. With limited space comes a higher diligence for selecting essentials, and leaving items that are easily accessible elsewhere.

During the process of obtain new collections, we must also work to not get rid of aspects which another archive or department might use. Just because something does not apply to our archive does not necessarily mean someone else cannot use it. This is why we work with other facilities on campus or in town that might have use for the extra material. It is this cooperation that creates a friendly environment in the archival community.

Back in the George F. and Gerrie D. Andrews Maya Collection, we got together Friday to discuss the progress thus far, and how each member of the team thought the processing should continue. Ian brought up a good point that for the final sorting the collection should be placed into country categories, followed by alphabetical site sorting. This would allow researchers to acquire access to a specific region, instead of sifting through the entire collection. This is important for the archive as well because it prevents the material from being overly handled.

We also discussed how we would house the Andrew’s photos and writings. The decision we must make is whether to kept everything together, or boxed separately. This item is still up in the air at the moment. It seems, at least from my view that it would be useful to have the groups separate, because individuals would be likely to be looking specifically for photos or documentation, not necessarily both. It also feels more organized.

Prelimnary Map of Central Portion of Maya Ruins of Yaxha, El Peten, Guatemala
Prelimnary Map of Central Portion of Maya Ruins of Yaxha, El Peten, Guatemala

The problem arises, however, with items that are contained in the documentation that fit better within the photos portion. Here would be required to make sure to have detailed notation of each item to create a complete inventory. We also must find a place for all the drawings and sketches present within the collection. This includes maps, stelae and masks, and graffiti. These are just a couple of the questions the team faces as we continue work on the collection.

Before heading out, check out this cool photo I found while sorting. It is the ‘casa de las tortugas’ or House of the Turtles! You can see a rough scale of the building based on the individual standing in front. Enjoy las tortugas, and until next time this is Austin from Mayaland, signing off.

Casa de Las Tortugas
Casa de Las Tortugas

Three Hundred Years of French Architecture

Blomfield, Reginald. Three Hundred Years of French Architecture, 1491-1794. London: A. Maclehose, 1936.

This is the second installment from the pen of Sir Reginald Blomfield to be included in our series on French Architecture. In Three Hundred Years of French Architecture, the English scholar and architect, whose own architectural work represents a rejection of what he considered “the paralysing conventions of the Victorian era,” explores the relationship between the evolution of style in French architecture and its historical backdrop. Blomfield addresses Three Hundred Years of French Architecture to the everyman, whose collective cultural curiosity he believes should be tempered by history. To that end, he parallels an indulgent listing of canonical works with often entertaining prose, generating a well-illustrated, linear narrative of the intellectual history of style through the rich period of Neoclassicism in France.

Library of Congress call number: NA 1041 B53

L’Architecture Francaise

Dormoy, Marie. L’Architecture Française. Boulogne (Siene) Éditions de “L’Architecture d’aujourd’hui” [1938]

Marie Dormoy explores the history of French architecture in L’Architecture Française, examining construction practices and materials to locate what is most essentially and consistently French about French architecture over time. By reducing space to its integral parts and the systems used to assemble those components, Dormoy performs a deconstructive analysis that functions to collapse all of French architectural history into itself, where essence becomes the thread of definition, signifying a relationship not only to practice but also to the projection of Frenchness in the built environment. Writing in French, Dormoy analyzes the full scope of French architectural history, and, while she provides little of substance about the varying shifts in the history of French design, she produces an excellent example of a scholar (and a woman!) attempting to locate broader meanings in space and across time.

Collection: Cret
Library of Congress call number: NA 1041 D67

Versailles

Arizzoli-Clémentel, Pierre, ed. Versailles. 2 vols. Paris: Citadelles & Mazenod, 2009.

A recent acquisition to the Architecture & Planning Library Special Collection, Versailles is a compendium documenting the rich architectural, art and cultural histories of the 17th century palace. This two-volume work juxtaposes plans, sections, and other drawing that express the palace’s design with high-resolution photographs of its resplendent interior and exterior spaces, and a number of essays that explore its art, sculpture, and landscape and architectural design. Versailles includes additional essays that examine the cultural and political activities that took place within the palace.

 

The Vernacular and Academic Nostalgia

Farm Houses, Manor Houses, Minor Chateaux and Small Churches: From the Eleventh to the Sixteenth Centuries, in Normandy, Brittany and other parts of France. New York: The Architectural Book Publishing Company, P. Wenzel and M. Krakow, 1917.

Another selection from the Paul Philippe Cret collection, Farm Houses, Manor Houses, Minor Chateaux and Small Churches is a collection of nearly 100 pages of images documenting vernacular architecture throughout Normandy, Brittany and other parts of France. While there is no index or table of contents, the book’s preface provides some unique insight into the function of this assembly. Written by AIA Fellow Ralph Adams Cram, we once again hear from a scholar seeking to return to a simpler moment, a time when architecture possessed “human scale.” Whether this response reflects the broader attitude toward the social and cultural activities that precipitated the First World War, or a more individual perspective, Cram suggests that the images compiled in the pages of this book are rooted in nostalgia, a time gone by and yet a moment his contemporaries should return to.

Collection: Cret
Library of Congress call number: NA 1041 F3

The Modernist’s Agenda

Emerson, William and Georges Gromort. The Use of Brick in French Architecture: Part One The Midi. New York: Architectural Book Publishing Company, 1935.

Written by architects William Emerson and Georges Gromort, The Use of Brick in French Architecture represents an historiographical shift in the writing of architectural history, where the architect-authors’ primary agenda reflects the desire to establish the parameters of appropriate usage. This professional concern is indicative of what we like to call modernism and suggests that the materials themselves possess specific meaning outside of their function in an architectural system. The Use of Brick in French Architecture represents one such endeavor, where examinations of the great brickwork architecture in the French Midi (this region includes Albi and Toulouse) results in the assembly of a body of work that establishes a relationship between building function and materiality while celebrating the majesty of works executed in brick.



Library of Congress call number: NA 1041 E55 PT. 1

A little wonder from the library of O’Neil Ford

Last week, Joe Sosa, gift processor at the Architecture & Planning Library, came to my office to share a wonderful find.  Joe has been processing books from the library of O’Neil Ford, which came to us as part of his collection donated to the Alexander Architectural Archive.  He starts by searching our catalog for existing copies in our collections so in many cases he is the first one to look closely at donations.  He regularly sees interesting material and once in a while he comes across a jewel like this:

Chinese and Gothic architecture properly ornamented : being twenty new plans and elevations on twelve copper plates containing a great variety of magnificent buildings accurately described ; as also, several of a smaller kind elegantly design’d, with all necessary offices, of great strenght, early construction, and graceful appearance. The whole carefully calculated by the great squares; with instructions to workmen, etc. in several pages of letter-press. intended as an improvement of what has been published of that sort.

This delightful book came in what can be described as a regular preservation nightmare: a homemade cardboard binder (very likely acidic) with a faded photocopy taped on.

Chinese and Gothic Archtecture Properly Ornamented

Inside, we found a pocket for the circulation card.

Pocket for library card

Chinese and Gothic architecture properly ornamented was written in 1752 by William Halfpenny and his son John. William Halfpenny was an English architect, carpenter and author of early pattern books as well as other manuals on construction such as The Art of Sound Building, Demonstrated in Geometrical Problems.

Title page

These are page 6 and 7: “Plate II – The Ground and Chamber Plan, with the Elevation (drawn to double their Scale) for a Design to a House 67 Feet in Front.” As all designs in this book, it includes dimensions for each room ans well as some instructions and estimate of the cost, in this case, 2475£.

Plate II

This book is a great example of an early pattern book as well as 18th Century Chinoiserie.  Gothic? Well, in my opinion, this looks more Palladian influenced but it has made me curious as to why Halfpenny would refer to these designs as Gothic. That is one of the details that makes this book peculiar and fascinating.

Visual Memory

Townsend, Charles Harrison, T. S. Boys, William Callow, J. Coney, S. Prout, David Roberts, and C. Wild. Beautiful Buildings in France & Belgium: Including Many which have been Destroyed during the War. London: T. F. Unwin, 1916.

This unique document reconstitutes historical renderings and paintings of gothic architecture in France and Belgium. Elegiac in tone, Beautiful Buildings of France & Belgium is an exercise in preservation, rehabilitating the obscured architectural object whose historical state was, in many cases, disrupted by the Great War. This type of visual doubling provides an early example of how what we see constructs social memory and nostalgia, and demonstrates the importance of certain types of documents in maintaining or proliferating a specific memory. Here, highly romanticized prose organized by location (Amiens, Bruges, Ghent) accompany each rendering to both celebrate and mourn these sites of tremendous cultural activity and the abundance of meaning that they represent.

Library of Congress call number: NA 1041 T6

Interior Design in 18th Century France

Mariette, Jean. L’Architecture de Mariette. (Paris: A. Guérinet, 192?).

Oeuvre de Juste-Aurèle Meissonnier: Peintre, Sculpteur, Architecte and Dessinateurd de la Chambre et Cabinet du Roy. (Paris: A. Guérinet, 192?).

Briseux, Charles-Etienne. Dessins de Menuiserie, de Serrurerie etc.: Propres à la Décoration Interieure et Extérieure des Appartements. (Paris: A. Guérinet, 192?).

Bound in a single volume, these three titles provide access to over 130 plates that document the history of interior design during the 18th century. Including the work of engraver Jean Mariette, architectural theorist Charles-Etienne Briseux, and architect and designer to contemporary European royalty, Juste Aurèle Meissonier, this collection assembles engravings of interior and exterior design details, mostly of doorways, paneling, apertures of varying types and columns. Though the engravings are not richly detailed, this type of documentation nevertheless provides a unique opportunity to explore the history of taste, style and even collecting during the 18th century.

Library of Congress call number: NA 1041 M343