Today’s Feature Friday doesn’t stray far from home. In fact, we travel all the way to Battle Hall’s first floor to the Center of American Architecture and Design (CAAD) to remind all of you that their incredible Center books exist. More specifically, their most recent publication: Center 18: Music in Architecture — Architecture in Music.
I personally am drawn to the focus of this palindromic-titled publication because I am always interested in reading pieces that explore the influences that are woven into architectural practice. This is something that continually fascinates me about architecture and environmental design in general: so many multidisciplinary topics and professions, some that may seem totally unrelated at the surface level, are used as inspiration for or deeply influence design decisions. Also, music is an integral part of my life; I fall deeply in love with songs to a point where they become the literal soundtrack to my life, and listening to specific songs has the power to vividly place me into a specific place or point in my life (as I’m sure is true for most of you reading this). I also find myself utilizing songs as direct design inspiration for my own projects, envisioning what genre of music would play in a restaurant, retail store, public plaza, and the like. Each essay in Center 18 reminds me of the power that music has on our lives — in ways I haven’t previously thought possible.
For example, yesterday on the bus to one of my summer classes I read the essay titled “Louis Sullivan, J.S. Dwight, and Wagnerian Aesthetics in the Chicago Auditorium Building” by Stephen Thursby. I have been reading through Center 18 haphazardly, selecting essays based on what topics I’m initially drawn to. This piece immediately caught my interest, as I have a deep love for Chicago and am spending a lot of my summer with the writings of Louis Sullivan (he’s on my summer reading list, after all!). This piece left me in awe after bringing to light the influences of nature, poetry, and the work of composer Richard Wagner in Sullivan and Adler’s design for the Auditorium’s theatre. With Andrew Bird’s new album I Want to See Pulaski at Night filling my ears with beautifully arranged strings and melodies whilst I read, I felt an overwhelming understanding of the sheer power of music on not only life itself, but how it can challenge people to live their lives better.
Now, some of you may be thinking, “Steph, what the heck? You go to school here; you should have known of the greatness of these publications. They’re always one of the top headlines on the UTSOA website and their exhibitions are held IN THE BUILDINGS YOU STUDY IN.” I know, I know — but as a graduate student about to celebrate my first anniversary of moving to Austin, I’m still uncovering the myriad opportunities and elements that make our School of Architecture such an engaging and inspiring place to learn. This takes time; I see it as an exploratory journey that affords me the ability to be pleasantly reminded, time and time again, by how lucky I am to be earning my degree from a School that prides itself on academic research and educational pursuits that bring multiple disciplines together.
Center 18 is now available for check out in the Architecture & Planning Library. I’ve already checked one out for myself, but I promise there’s more! All of CAAD’s publications are also available for purchase through the UT website or Amazon if you prefer to have a copy of your own (I’m saving up for mine!).
Call Number: 2542.35 C467 V.18 2014
This week’s #FeatureFriday was suggested by Martha Gonzalez Palacios but enthusiastically selected by Stephanie Phillips. I emphasize enthusiastically because I probably concerned Martha a bit over my excitement to dive into this book when she brought it to my attention. Sorry, Martha.