Tag Archives: paul phiippe cret collection

Les Dix Livres d’Architecture de Vitruve

Vitruvius. Les dix livres d’architecture de Vitruve. Paris: J. B. Coignard, 1684.

Collection: Paul Philippe Cret Library

In 1684, French anatomist and architect Claude Perrault published a corrected edition of his 1673 translation of Vitruvius’ De Architecture, a fragmented copy of which resides in the library of Paul Philippe Cret. This second edition deviates only slightly from the original publication, functioning to amend minor errors and provide augmented documentation of the ideals established by Vitruvius in his ten books. More importantly, this volume reaffirms a preoccupation with codifying an historicizing mode of architectural expression. Yet, while Perrault, whose design for the Louvre represents a rigorous transcription of 16th century classicism, exhibits a clear reverence for his Roman forebear, he also attempts to locate the trajectory of French architecture within the classical tradition. To that end, Perrault assumes Vitruvius into a specifically French discourse on architecture, constructing an explicitly French text that largely eschews the use of Latin or Italicizing verbiage and improves upon the copyists’ attempts to assign exemplary renderings to passages within the text. In this manner, Perrault establishes French classicism as a mode of architectural representation that is at once historicizing and nationalist.

Library of Congress call number: NA 2517 V85 1684

A History of French Architecture 1494 to 1661

Blomfield, Reginald. A History of French Architecture 1494 to 1661: From the Reign of Charles VIII till the Death of Mazarin. 2 vols. London: G. Bell, 1911.

In 1911, architect and scholar Sir Reginald Blomfield penned A History of French Architecture 1494 to 1661, an authoritative two-volume work on the history of French architecture. Part of the Architecture & Planning Library’s Paul Philippe Cret collection, A History of French Architecture constructs a linear history of French architecture encompassing the scope of what might be termed a long 16th century. In this English-language text, Blomfield endeavors to locate a continuous trajectory between the beginnings of Italian renaissance influence in French architecture and the inception of a neo-classical design expression during the era of Louis XIV. Blomfield’s is an essential reference for the renaissance historian, functioning at once as an erudite piece of scholarship and a foundational historiographical text.

Library of Congress call number: NA 1044 B6