Adventures in Curation

“When George and Gerrie Andrews climbed their first Maya pyramid in the late 1950s, they hardly could have anticipated that a life’s calling was awaiting them.” That’s how I introduced the digital exhibition, “Their Maya Story: George and Gerrie Andrews,” which just went live on the UT Libraries website.

Tikal roofcomb Kabah photo with tracing Andrews family at Tulum

What I “hardly could have anticipated” was the variety of experience I would gain by curating this exhibition. I intended the project to enhance my skills in archival arrangement and description and to allow me to work more closely with digitization, metadata standards, Internet applications, curation, and outreach. And I did all these things, but these are fairly broad terms when it comes to information work. The specifics are where it got interesting.

I learned that you can never really be completely done with processing a series—more records always materialize. I now can scan photographic slides with confidence. Adobe Bridge became a valuable resource as I automated the conversion of dimensions, format, and resolution of digital image files. As I planned the exhibition, conversation with Mayanists gave me a clearer idea of what interested them about the archives. Crafting narrative that works as a whole or in snippets was a new kind of writing challenge. To prepare sound clips, I used Audacity and made my first foray into working with audio. I discovered the ins and outs of Drupal’s exhibit module.

Tikal roofcomb Kabah photo with tracing

In short, I learned about the wide variety of work that goes into planning and executing a digital exhibition. Too often we think of the Web as a shortcut, an easy way to make information accessible to many. And the Web does offer a great resource for increasing awareness of archival collections such as the George F. and Geraldine D. Andrews papers. But presenting information online in an engaging way, one that takes advantage of the flexibility of the interactive model, is a lot of work. As exhibition curator, I can guide you gently in the direction I think you should go and tell you what I think is interesting, but your experience with the exhibit is really up to you. That’s true in a physical museum setting, but even more so online.

To learn more about the Andrews papers, read my previous post, Adventures in Mayaland—or just visit the exhibit! Explore sites ranging from Tikal to Hormiguero, learn about the Andrews’ research methods and legacy, and simply enjoy beautiful images of Maya architecture and the story of a couple that devoted their lives to documenting this history.

Images from top, left to right:
Tikal: The man in the portal helps comprehend the scale of this roofcomb at Tikal (1981)
Kabah: George Andrews often traced over his photos as he attempted to understand the different styles of decoration (undated)
Tulum: The Andrews’ son, Alan, joined them for this trip to Tulum in 1964
Hormiguero: One of the many “monster masks” seen at Hormiguero (1978)
Coba: Stelae such as this one at Coba help scholars better understand Maya hieroglyphs and mythology (1978)

By Amanda Keys, processing assistant in the Alexander Architectural Archive and School of Information student focusing on archival enterprise and special collections

Adventures in Mayaland

On one 10-month trip to Mexico and Central America, they saw 70 Maya sites and put 20,000 miles on their Volkswagen bus. That figure doesn’t count the mileage they covered in trucks, Jeeps, small planes, and on foot. They encountered obstacles ranging from rocky roads to poisonous snakes to bureaucracy.

Who are these intrepid adventurers? George and Gerrie Andrews—and the Alexander Architectural Archive houses their papers. In their 40+ years of work documenting Maya architecture, the Andrews amassed about 50 linear feet in manuscript material, plus thousands upon thousands of photographic prints, slides, negatives, and drawings.

Kabah with Gerrie
One of the structures of Kabah, a Puuc region site in the Yucátan. See Gerrie (near the portal) for a sense of scale.

To make those records more accessible to researchers, I am working on arranging and describing these materials. So far I’ve arranged a series of Faculty and Professional Records, more than half of which consists of George’s correspondence with his architecture and archaeology colleagues. I also have started work on grouping his slides together by site—so far I’m up to about 6,500! (I also have learned that the Andrews visited more than 30 sites whose names begin with “X”—Xelha, Xlabpak, Xpuhil, etc.—which kind of boggles my English-oriented mind.) An enhanced finding aid to the George F. and Geraldine D. Andrews papers is part of my goal for this project.

But that won’t be all. In addition to working at the archive, I’m doing my capstone project to finish my master’s in information studies. To that end, I also am creating an online exhibition about the Andrews papers, hoping to draw attention to these important records and attract more researchers. I’m keeping up a webpage about the project, Building Mayaland, and invite anyone interested in the archival process to check it out.

By Amanda Keys, processing assistant in the Alexander Architectural Archive and School of Information student focusing on archival enterprise and special collections

ARTstor Mobile is here!

All 1,000,000+ images from the ARTstor Digital Library are now accessible through iPad, iPhone, and the iPod Touch to registered ARTstor users.

ARTstor Mobile provides read-only features such as searching, browsing, zooming, and viewing saved image groups. Also try the new Flashcard View, which allows you to test your knowledge by viewing the image without textual information, and then flipping the image to reveal the image record.

There’s no need to download special software, just go to the ARTstor page via UT Libraries from your mobile device (if you have already created an ARTstor account go directly to http://library.artstor.org). ARTstor Mobile is only available through the Safari browser; for more details, visit ARTstor Mobile’s Help page.

Image provided by Alan Kohl, Photographer
Image credits
Image provided by Alan Kohl, Photographer.

Then and Now: The Library of the School of Architecture

Throughout its 100-year history, the Architecture & Planning Library has been an integral part of the School of Architecture, providing services and collections for information and inspiration.  In tandem with the School, the library has grown and changed to meet the needs of its users—students, faculty, scholars, and the community.

A new exhibit – Then and Now: The Library of the School of Architecture – gives an overview of the library’s history as it developed from a faculty collection, to an established library in 1912, and then how it moved along with the School to its new locations.  Featured are interesting examples of how services and collections have expanded and stories about how people have contributed to their library and archive.

Artifacts from the Alexander Architectural Archive
Photographed by Parker Doelling

The exhibition – on view in Architecture & Planning Library Reading Room in Battle Hall through March, 2011 – is being held in conjunction with the School of Architecture’s centennial celebration 100: Traces & Trajectories exhibition.

Producing a centennial exhibit is a momentous occasion.  The challenge proves that some things never change: it reflects the efforts of an expert staff, dedicated students, the tireless hours of our volunteers, including co-curator Sarah Cleary.

All items on exhibit are from the vast collections of the Architecture and Planning Library and its Alexander Architectural Archive, as well as images courtesy of the Dolph Briscoe Center for American History.

Visit the Flickr slideshow to enjoy more images from the exhibition.

Beth Dodd is Head Librarian for the Architecture & Planning Library at The University of Texas at Austin.

Special Collections at the Architecture & Planning Library
Photographed by Parker Doelling

Eugene George Papers document historic preservation in Texas

What do the Magoffin Adobe in El Paso, the Moody Mansion in Galveston, and a Revolutionary War battlefield in Yorktown, Virginia, all have in common?

Magoffin House, El Paso Moody Mansion, Galveston Yorktown Battlefield, Virginia

They’re all historic preservation projects undertaken by noted architect and former UT faculty member Eugene George — and they’re all documented in the Walter Eugene George Collection at the Alexander Architectural Archive.

With 12,000 slides, thousands of negatives and photographic prints, hundreds of architectural drawings, and approximately nine linear feet of professional records, the Eugene George Papers are a window into the field of historic preservation in Texas and beyond.

Page from George's photo records
Page from George’s photo records

George’s approach to historic preservation is intensely scholarly, and his voluminous reference files provide a resource for students and scholars interested in all areas concerning historic preservation.  The George Collection also contain a wealth of photographic materials, which add a visual dimension to the record of his activities as a practicing architect, scholar, educator and photographer.  Beginning in 1979, George extensively documented each of his photographs, assigning each a frame number and logging the subject, date, and technical information.  In addition to providing evidence of historic preservation projects in process, the photographic materials are a rich visual resource for architecture, landscapes, and cultures around the world.

Muqarnas Dome at Generalife, Granada, Spain

Look for an updated finding aid online soon, and don’t miss a new digital exhibition in December for more details on George and his career.

Florence sketchbook of Frank Lloyd Wright, 1910

The Architecture & Planning Library recently acquired a limited edition facsimile of the Florence sketchbook of Frank Lloyd Wright, 1910, the manuscript sketchbook by Frank Lloyd Wright which served as the maquette or layout for the famous Wasmuth portfolio of 1910 entitled Ausgeführte Bauten Entwürfe von Frank Lloyd Wright [Studies and Executed Buildings by Frank Lloyd Wright].

This sketchbook has never been published before.  Therefore, it will be a very important addition to our collections and will greatly complement our holdings of several editions of the Wasmuth portfolio.  To learn more about these and other Frank Lloyd Wright materials in our collections read Kathryn Pierce’s entry in Shelflife@Texas.

Florence Sketchbook of Frank Lloyd Wright, 1910
Florence Sketchbook of Frank Lloyd Wright, 1910

Family Weekend 2010

Welcome Families!
Friday, October 15-Sunday, October 17

The Architecture & Planning Library will be open regular hours:  Saturday 12-6 & Sunday 1-7

There are many interesting highlights that you may enjoy including:

  • reading room exhibit
    Maya Architecture: Selections from the George F. and Geraldine Andrews Collection.
  • library entrance foyer
    Battle Hall exhibit case
  • stair well installation
    Journals On(_)line(s)
  • archive entrance foyer
    UT Centennial models of campus, exhibit about the archive, exhibit on preservation efforts in the archive

Enjoy!

Architecture & Planning Library Reading Room
Architecture & Planning Library Reading Room - Battle Hall

Documenting vernacular architecture in Texas

Earlier this summer, I wrote about processing the Wayne Bell papers. Because of my resulting familiarity with his work, I went on to work with the records of the Winedale Historical Center, the historic preservation program in the School of Architecture that Bell directed for many years.
When we interviewed Bell, we asked about the unique challenges of preserving historical sites, especially when a property or features of it have deteriorated beyond repair. His answer? You can preserve by creating a historical record. Throughout the Winedale Historical Center records are field notes, site plans, drawings, photographs, oral histories, and other materials kept safe in the Alexander Architectural Archive, documenting important information about buildings from across central and south Texas.

Zimmerscheidt-Leyendecker House field book
Field book entry, Zimmerscheidt-Leyendecker House

You hope that, with good preservation work, the building will remain. Sometimes, however, disaster strikes. In 1981, just five years after UT historic preservation students worked on the Zimmerscheidt-Leyendecker House in Colorado County, an arsonist destroyed the property. The students’ records are now that much more valuable to maintaining the cultural memory of this home.
By Amanda Keys, processing assistant in the Alexander Architectural Archive and School of Information student focusing on archival enterprise and special collections

Architectural Drawing, Now and Then

“In the School of Architecture at the University of Texas, there are drawings from casts, in pencil and in charcoal. The importance of skill in drawing and of appreciation of true proportion make this character of training as necessary for the architect as it is for any other art student.”
So begins an article that sounds like it could have been written yesterday—drawing is a major component of UT’s architecture program. However, this text was published in November 1914 in a journal called Southern Architect and Building News—long before any computer programs could help with those drawings!

Southern Architect and Building News
UT’s earliest issue of Southern Architect, 1892

As it turns out, the Architecture and Planning Library Special Collections has 106 unique issues from Southern Architect’s 1889-1932 run, more than any other institution. In addition to historical article content, the journals are heavy on advertisements, providing a fascinating look at the building materials and products available at the turn of the century.
With the generous support of School of Architecture alum Steph McDougal and her business, McDoux Preservation, we have begun an initiative to index and digitize the journal. We’re developing a work plan, manual and database, and we’ll be needing volunteers soon! Contact Beth Dodd if you’d like to help us make this valuable resource more accessible.
By Amanda Keys, processing assistant in the Alexander Architectural Archive and School of Information student focusing on archival enterprise and special collections

EDITOR’S UPDATE: For an update on the Southern Architect and Building News project, see https://blogs.lib.utexas.edu/aplhighlights/2016/03/17/southern-architect-and-building-news-update/

Blog from the University of Texas Architecture and Planning Library