Tag Archives: University of Texas Libraries

We’re going (Way)Back in Time!

Hiya!  I’m Zacharia (Zach if you’re feeling friendly) and I’m the new Digital Initiatives GRA here and APL.  I’m going to be in charge of making sure you wonderful people will still be able to find our online exhibits once the sites have gone offline.

So I thought I’d give you a little how-to guide about how you can access our old exhibits while they’re in migration.  So without further ado let me introduce you to our new best friend: The Wayback Machine!

The Wayback Machine is a delightful little site hosted by the Internet Archive that is dedicated to archiving the entire internet forever (give or take a few hundred thousand versions).  Today I am going to walk you through how to access the old APL legacy site and all the associated content.

Step 1: Accessing the Site

The Wayback Machine works by automatically scraping webpages, creating exact replicas of the site on a given day which can be accessed from the main interface.  These are stored versions of a site at the time of scraping, and will not reflect any changes made to the site following the date of scraping.  Think of it as visiting a historical site.

The url for our old site is https://legacy.lib.utexas.edu/apl.  So we’re going to copy that and paste into The Wayback Machine, which should look something like this: (Please note that the images are best viewed in full screen so don’t fret if you can’t quite make out specific text, just click on the image.)

The Wayback Machine

Now I have already scraped the legacy site as of January 31 and February 6.  The next screen you see should contain the url you just entered and a series of calendars with the dates January 31 and February 6 highlighted.  These represent specific “images” or captures of the site as it looked on those days.  There shouldn’t be any difference between the two so pick your favorite date!

Step 2: Navigation

Now those of you familiar with the old site should recognize a lot of what you see, with the exception of the Wayback Machine interface, which will look like this:Capture

This is the Wayback Machine navigation bar.  From here you can navigate between different captures of the site at will and see a timeline of their development.  Now the navigation of the old site works the same as it once did, however when you select a link you may see this image:

Capture2The Wayback Machine archives each webpage individually, and must redirect and access different versions when you go to a new web page.  What that means is that when you click on a link you are redirected to the Wayback Machine’s most recent or closest temporal capture of the webpage that is being linked.

Step 3: Accessing the old Online Exhibits

My work at APL primarily revolves around making sure you fine folk can still access all of our old online content, so let’s see if we can’t access one of our old exhibits:  The Architectural Legacy of Herbert Greene.  As we are still on the main web page we will need to move over to the Works and Projects page.  Before moving on I would like to point out that the entire legacy UT Libraries site is not fully accessible on the Wayback Machine, just these exhibits which I have manually captured.  So keep that in mind as we go forward.

In any case, the Works and Project page should look like this:

Capture3

If your screen does not look like this please select the “Works + Projects” button. All of our exhibits are housed under Exhibits and Curated Resources, but all the other pages found here are fully accessible so feel free to look around.

Once you’re  looking at the Exhibits page, select the hyperlinked text Online Exhibits and Curated Resources to find the list of old online exhibits.  Fun fact, you can also access this delightful blog from here and see all the archived posts!

The Architectural Legacy of Herbert Miller Greene is the first item on the list.  If you click on it should take you to:

Capture4There is a chance that the images or other script may not load.  This is a result of a problem with the given date of capture.  If you are having this issue, access a different capture from the navigation bar (such as January 31) to see the full site.

Perhaps the most important function of The Wayback Machine  is the ability to emulate and preserve JavaScript and Flash programs, so applications and other non-still image media are accessible in their original forms.  This is especially important for an exhibit like The Architectural Legacy of Herbert Miller Greene, which is based heavily around an applet called Zoomify, which allows users to zoom in and examine blueprints and photos at a high resolution.  Select Firm Brochures from the navigation bar on the site to take a look.

Capture11Ta-da! It’s like the site was never taken down!  You can freely explore the exhibit to your heart’s content.

All of old exhibits will be available in new formats on the new libraries site, but in the meanwhile (or if you’re feeling nostalgic) you can use The Wayback Machine to find all of your favorite content just the way you liked it.

I’m looking forward to sharing our progress on the new site as time goes on, and I’ll be back real soon with more awesome stuff to show you!

Alexander Architectural Archive Open House: Modernism(s)

Join us for the annual Alexander Architectural Archive Open House which showcases drawings illustrating Modernism(s).

The open house is taking place August 27-29 from 9 a.m. to noon and 1 p.m. – 4 p.m. Access to the archive is typically by appointment only but for the first three days of class we throw open the doors of the archive to welcome and inspire new and returning students.

The Archive is featuring hand drawn drawings, from sketches to polished presentation pieces, to motivate the student to get out and draw! See below for the official flier with additional details. We hope to see you there!

 

Feature Friday: A Guide to Dallas Architecture

Happy Feature Friday! Only a few more posts until the fall semester – time sure flies when you’re sweating uncontrollably in the Austin summer heat. (Or is that just me?)

This Friday, we’re once again shedding light on a unique subset of books at the Architecture & Planning Library: city guides. These range from self-guided architecture tours to city overviews that delve into historic facts and figures. Though many of these titles may come up in research, they’re also great to turn to when planning a visit to a new city.

Sure, Google and travel-assisting websites like Yelp and Foursquare may have overtaken print as the modern technological “guidebooks,” but there’s something both comforting and convenient about having a complete tour guide in written word. Personally, nothing will top being able to easily flip through a few pages, scour various custom maps, and decide on my next destination – all without worrying about draining my phone’s battery!

The Architecture & Planning Library holds an extensive amount of titles for both present-day tours and ones that reveal the past. I absolutely love finding guidebooks from a decade ago or older for cities that I’ve been to many times and comparing my internal map to what was there before. For example, when I added provenance notes to the Karl Kamrath Collection in late 2013, I came across an architectural walking tour of Chicago from 1969, complete with illustrations and maps. I was enthralled with photographs that depicted ornate skyscrapers that had been sacrificed over the years for towering glass symbols of prestige, the very symbols that define Chicago’s skyline today. By studying the tour book intently, I feel like I now have a greater depth and understanding of the city’s timeline and urban development, and now picture the ghosts of former buildings when passing their replacements. There’s something both beautiful and haunting about reading a first-hand account of a tour through a city so many years ago – only to realize how vastly different our present-day experience of the same city is.

Historical treasures stud our stacks, but so do more modern titles of guidebooks, which may surprise some readers. For example, The American Institute of Architects Guide to Dallas Architecture from 1999 is a great example of more recent efforts to present an American city clearly, cohesively, and comprehensively in one book.

This differs from the tour books you may find on a bookstore’s shelf in that its primary focus is architectural – in its descriptions, tour arrangements, photography, and significant features. Where most off-the-shelf guidebooks might direct you towards the latest restaurants or nightlife, this book details parks, key structures, historic neighborhoods and districts, as well as sculptures and gardens. The maps are tailored to custom walking tours and guide you through one of Texas’ and America’s great cities to places even Dallas natives may have overlooked. And although this publication is much more modern than the 1969 Chicago tour, 1999 is still well over a decade ago – and the comparisons to the present city are likely staggering!

The next time you plan a visit to a new city, I highly recommend searching for a tour or guidebook in our catalog beforehand to see if you have the opportunity to check out one of the myriad architecturally-centric ones in our stacks. If coupled with a bookstore guidebook, your trip will likely be full of surprises – ranging from off-the-beaten-path monuments or neighborhoods to ghosts of city’s past.

Happy exploring!

Feature Friday: Perusing the Past

Happy August, everyone! Where does the time go?! Aptly, for this week’s Feature Friday, we’re getting a bit nostalgic.

Almost a year ago, I wrote a post revealing how a library is actually so much more than just a place to rent books for research. It’s often a place of communal solitude, where the focus of those surrounding you miraculously rubs off on you during a study crunch; a place of calmness, predictability, and ease, where methodical sounds of footsteps pacing the stacks, the beeping of barcodes, and the flipping of pages enfolds you and makes you feel truly comfortable in the space you’re in; and, most importantly, a place for inspiration, a place where you’re completely surrounded by thousands of books that you know you’ll never even touch, but could if you had the chance. I mean truly, what is more beautiful than a place that habors an endless amount of knowledge?

That’s why this particular Feature Friday focuses on something that’s not a unique feature to this specific day, week, month, or even year; it’s a feature that is present each and every hour, minute, second that we’re open: our stacks.

More specifically, here at the Architecture & Planning Library, our second floor harbors hundreds of solid-color, stately-looking hardcover books that are actually a few issues of journals bound together to form one convenient package. Those of you that have done research in our library likely know exactly what I’m talking about: the rows and rows of navy blue, evergreen, and maroon shells that make you feel like you gain intelligence simply by walking through (“contact intelligence” if you will – can I trademark that term?). Most researchers, however (including myself!), tend to start by looking up a specific topic in the catalog, jotting down a call number, journal name, issue number, and page range, and beeline straight to that specific journal.

There’s nothing wrong with that by any means, and I love when I have the opportunity to utilize sources other than the internet. However, today I’d like to encourage you to consider exploring these journal archives without a particular goal in mind, just to see what you find – especially if you’re studying an architecture or design-related major!

…Why, you may ask? The idea of blindly pulling a plain-covered book and flipping through its pages seems a little counter-productive versus the typical strategy of spine shopping in a library or bookstore. However, I’ve come to realize that discoveries found without a clear-cut end product in mind are often the most fruitful. Here’s an example:

Above is a photo of a two-page leaflet found in the July 1964 issue of Architectural Forum. (Yes, you read that right – 1964 – and we have issues dating back to 1917!) Aside from staring wide-eyed at the advertisements that made me immediately want to rewatch seasons one through six of Mad Men, this article caught my eye due to its detailed plans, sections, and sketches that were 100% created by hand. The spread depicts the plan to bring Pennsylvania Avenue – Washington D.C.’s most prominent thoroughfare – back to its original grandeur. The White House is located in the top left corner, and the avenue runs to the Capitol at the bottom left. Immediately, I went to the ever-useful Google Maps to compare what was so beautifully illustrated in 1964 to what the exact area looks like today.

So. Awesome.

It’s discoveries like these that continually drive my insatiable curiosity to explore beyond what I’m required to. I’ve only been to Washington D.C. once – when I was in elementary school – and can assuredly tell you that I was not particularly fixated on assessing the quality or design of the public spaces around some of our nation’s most prominent and vital monuments at the time. I am now, however, fascinated by comparing elaborate plans conceived decades ago to how they were ultimately implemented into city fabric. Additionally, I was flooded with questions: how was this space adapted over the years? What concepts of the 1964 plan were removed from the final product? Were they actually there originally, but replaced over time by something else? How does this comprehensive scheme work today? Is the social experience as lively as intended? Did it ever function as intended?

By simply paging through a journal from decades ago, I have stumbled upon a topic that I could potentially develop a research paper on – or even a thesis or dissertation that expands its sample into a broader inclusion of major city plans over the years. How rewarding is that?! This is why I encourage you – or any user of any library across the globe – to peruse the past without a purpose. You’ll learn what interests you without an assignment looming over your head – which is a peril of many students!

Summer is as good of a time as ever to explore, and we’ve but a mere month of it left. What better way to beat the heat than jumping into a visual time machine and uncovering traces of the past that you had no idea existed?

Sounds like a great bucklist item to me.

Society of Architectural Historians Conference in Austin: Then and Now

It’s official: The Society of Architectural Historians Annual Conference is underway in our beloved Austin! Please visit here for a full listing of the conference’s events.

Because of the conference’s focus on architectural history, along with the opening of Emily Ardoin’s exhibit “Inside Modern Texas: A Case for Preserving Interiors,” we decided to delve into our archive’s bountiful resources to see if we could uncover material that was especially pertinent to the conference’s visit. The Alexander Architectural Archive holds the namesake of Drury Blakeley Alexander, architectural historian and Professor Emeritus at the University of Texas, who was an active member of the Society of Architectural Historians and believed wholly in the value of archival materials and research.

This fact was proven when Donna Coates, our Curatorial Assistant for Technical Services, informed me that Alexander’s collection included folders upon folders of saved Society of Architectural Historians conference materials. These folders contain invitations, programs, general correspondence, and more! I couldn’t believe that such a treasure is held within our very own Archive walls, provided by the namesake of the Archive itself. I also gained respect for low-grade hoarders; if I could high five Alexander for ensuring he retained nearly ALL of the materials of the conferences he attended, I totally would.

One of the many postcards addressed to Alexander inviting him to SAH Conferences. This one is dated 1953 from New York City.

As I began sifting through the boxes that contained these folders, I became overwhelmed with the material. I also found myself simultaneously wishing that I could round up every interested individual in the Austin area and show them all of these wonderful treasures that Alexander had left for Archive users to potentially uncover and explore. As I grappled with the best way to present this material – ranging from the conference held 50 years ago, to showing snippets of material from every recent decade – I finally stumbled upon the folder I was looking for: the SAH Conference of 1978, which was held in nearby San Antonio.

The official brochure of the 31st Annual Society of Architectural Historians Conference amidst additional documents and correspondence.

This folder was so much fun to sift through, as it was full of correspondence between Alexander and professors from neighboring Texas universities. Alexander, for the 31st annual conference, wanted to bring together architectural history professors from across Texas and set up a collaborative session on Texas architecture – very similar to this year’s Austin Seminar. His dedicated effort to weaving a special Texas flair into the 31st Annual Conference was apparent, and, as evidenced by the official conference material from that year, certainly was not a fruitless effort. The conference featured several speakers presenting on topics relating to architecture in Texas, and he helped plan a day tour to Austin to unfurl the treasures that serve as some of the cornerstones of our great city.

A tour map of Austin for the conference. I want to go on this today!

Looking through these folders not only made me excited for this year’s Society of Architectural Historians Conference, but also reaffirmed how lucky we are to have such an incredible Architectural Archive as a resource for research and beyond. It is truly fitting that the namesake of the Archive contributed so greatly to the field of architectural history. Cheers to you, Blake Alexander!

Here’s the text tour associated with the above map. In addition to this week’s conference events, this may be a fun addition to your lineup – comparing Austin’s urban fabric to what was in 1978!

Upcoming Event: Nature in Balance

Join us on Wednesday, April 2nd for this great Research + Pizza event! Research + Pizza is a lunchtime lecture series featuring research presentations by faculty from across the university.

Here’s the overview:

What: Research + Pizza: Dr. Damon Waitt talks about native Texas plants and invasive species. This event is free and open to the public!

When: Noon, Wednesday, April 2.

Where: Perry-Castañeda Library, UFCU Student Learning Commons (PCL 2.500), The University of Texas at Austin.

Just in time for the spring riot of color that is wildflower season, Dr. Damon Waitt, Senior Director and Botanist at the Lady Bird Johnson Wildflower Center, discusses his efforts helping to maintain an ecological balance between native plants and invasive species in the Texas wild.

Waitt is responsible for developing the 279 acres of gardens and natural areas at the Wildflower Center, and is the author of the Center’s Native Plant Information Network — the largest online database about native plants in North America. He also serves as the principal investigator on several projects related to the Wildflower Center’s Pulling Together Invasive Species Initiative and is a member of the Invasive Species Advisory Committee for the National Invasive Species Council.

The program will also include a plant ID session, so interested participants can send pictures of mystery vegetation to roxanne.bogucka@austin.utexas.edu for identification by Waitt during the program.

BONUS: Free Pizza (while it lasts) from Austin Pizza — we hope to see you there!

Inside Modern Texas: Developing an Exhibit

I’ve been working all semester on a new GRA assignment in the Architecture and Planning Library/Alexander Architectural Archive, and I’m finally ready to let the word out. My task is to develop an exhibit for display in the Battle Hall Reading Room during the spring 2014 semester. See previous examples of Reading Room exhibits here and here. I’ve never worked in a museum or archive before, so the curating process was completely new to me. Here is how it’s happened so far.

After weeks of thinking about it, I chose to combine my interior design background and current focus in historic preservation and look at interiors of the modern movement as a consideration for preservation. First I set a few limits (modern nonresidential interiors, located in Texas only, between 1945 and around 1980). The next step was browsing hundreds of the Alexander Architectural Archive‘s holdings to find images that fit the theme. I also looked for background information on specific projects in the project files for various architects. This was my favorite part of the process. What could be more enjoyable than looking through beautiful drawings all day?

Browsing the Archive with Nancy Sparrow, Curatorial Assistant for Public Services
Browsing the archive with Nancy Sparrow, Curatorial Assistant for Public Services

Meanwhile, I completed preliminary research to inform the structure of the exhibit.  For this I discovered the reference collection located in the Reading Room. This area houses building code books and general reference volumes like encyclopedias, but it also includes great specific subject reference books related to architecture and design. Books such as A Century of Interior Design, 1900-2000 and Dallas Architecture, 1936-1986 helped me to establish a framework of development of the interior design industry and overall architectural development of Texas during the chosen time period.

I also decided to do outside research on recent historic preservation projects in Texas that gave some consideration to the original interior design. Several of these projects will be featured in the exhibit.

The next step was to outline the structure of the exhibit and select final images to display. Then came the title. The title needed to convey the subject (interior design), design era (modernism), time period (post-WWII), place (Texas), and the intent (consideration for historic preservation) in a concise and catchy package. After brainstorming and rearranging words what must have been hundreds of times, Inside Modern Texas: The Case for Preserving Post-War Interiors rose to the top.

Lots of behind-the-scenes tasks are still ahead to get this exhibit up and on display. Look for Inside Modern Texas some time in March.  Meanwhile, don’t forget to go beyond the stacks to the reference collection, Alexander Architectural Archive, and even special collections for your own research needs.

Karl Kamrath’s Stamp Left on Books Throughout the Library (Literally)

Throughout the past few weeks, I’ve been on a search for all 176 of Karl Kamrath’s books from the collection his children donated to the Architecture & Planning Library, with the goal to add a provenance note to each item’s record in the catalog (so all of you checking out books can know that it belonged to an influential architect!). At first, the project seemed just like just another task to complete – but it’s become so much more.

It’s amazing how much you can learn about an architect’s primary influences through the books he or she possessed. A hearty library is like a trophy for architects, and books are indispensable tools for practice. Karl Kamrath was immensely influenced by his friend Frank Lloyd Wright, and his dedication to creating organic modern architecture is what made him such a key player in Texas modern architectural history.

A little background: Karl Kamrath grew up in Austin and received his Bachelor of Architecture from The University of Texas in 1934. Upon graduating, he moved to Chicago, where he worked for Pereira and Pereira, the Interior Studios of Marshall Field and Co., and the Architectural Decorating Company. In 1937, he and another graduate of The University of Texas, Frederick James MacKie Jr., opened their own architectural firm, MacKie and Kamrath in Houston. MacKie and Kamrath were among the first Houston architects to follow a modernist approach to design for which they received national recognition.

Shortly after his 1946 return from a stint as a captain in the Army Corps of Engineers, Kamrath met Wright and immediately became an advocate of Wright’s Usonian architecture style. Kamrath became a member of the American Institute of Architects in 1939 and was elected to fellowship in the institute in 1955, and at various times served in an adjunct capacity at the University of Oklahoma, The University of Texas, Texas A&M University and the University of Oregon. He was also a founder and served on the board of the Contemporary Arts Museum from 1948 to 1952.

The fact that books owned by successful architects are circulating every day is a phenomenal asset of the Architecture & Planning Library. Other great collections include those of William Storrer, another Frank Lloyd Wright scholar, and Drury Blakeley Alexander, the namesake of the Alexander Architectural Archive, to name a few. I may be a little biased, but Karl Kamrath’s collection might be my favorite, mainly because of the diversity of publications and his signature ‘stamp’ that is found within the covers of most of his books.

Here are few that I’ve come across:

Perhaps my personal favorite, Kamrath drew his logo directly within Frank Lloyd Wright’s signature red box, found on most publications documenting his work. It’s clear just how influential Wright was on Kamrath.
Kamrath’s stamp can be found on a number of pages in some of his books. I thought this placement was especially unique.
Though faint, a raised stamp often accompanies many of Kamrath’s books with his logo, name, and FAIA association.
In addition to books with Kamrath’s personal stamp, many can be found with the joint MacKie and Kamrath firm logo.

Stamps aren’t the only thing you’ll find within the books of former owners. Notes or correspondence between friends and other practitioners is fairly common, and sometimes can leave you star struck.

Yep, that’s THE Mrs. Frank Lloyd Wright! This was taped on the back cover of The Grady Gammage Auditorium, call number NA 737 W7 A4 1964, within special collections.

Want to see some of these stamps and inscriptions for yourself? Here are a few that are circulating in the general collection:

Writings on Wright, Call Number NA 737 W7 W76, Copy 2
Frank Lloyd Wright: An Annotated Bibliography, Call Number NA 737 W7 S84, Copy 2
Ludwig Mies van der Rohe, Masters of World Architecture Series, Call Number NA 1088 M65 D7, Copy 4

The next time you check out a library book, keep an eye out for any markings on the front cover or amidst the pages; you might find a trace of its previous ownership. There’s hidden gems all over this library – it’s like a treasure hunt!

In addition to an extensive library with books in the general collection, special collections, and storage, The Alexander Architectural Archive possesses an incredible archival collection dedicated to the work of Karl Kamrath and the MacKie and Kamrath firm, including over 940 drawings, 530 black and white photographic prints, and even drafting tools. I’m a total sucker for hand drafted architectural renderings, and Kamrath produced some of the most beautiful that I’ve seen! If you have serious interest in viewing this collection, make an appointment with Nancy Sparrow to take a peak.

Austin in the Architectural Press

Throughout the semester, we’ve featured some of our periodical subscriptions that are available in the Reading Room and in our stacks. Two of our selections, Architectural Record and Interiors & Sources, highlighted some awesome elements of Austin in their October 2013 issues, so we were EXTRA excited to read through them this month!

Architectural Record narrows its focus to technology and the city for their most recent publication. Austin – along with Chattanooga, Detroit, and San Francisco – is one of their mini-case study cities undergoing a rapid change at the hands of a technology boom. Noting a steady rise in population, Google Fiber’s arrival next year, and an emerging startup culture that’s permeating the city, the article discusses ways in which Austin is addressing a unique and complex change to their built fabric. Key players such as Jim Robertson, the manager of the city planning department’s Urban Design Division, and Barbara Brown Wilson, Director of UT’s Center for Sustainable Development, weigh in on rapidly-transitioning cultural districts, urban sprawl, and how Imagine Austin was created to help address these housing market changes. Joshua Baer, managing director of Capital Factory, concisely states the issue at hand today: “how do we keep our spirit while we cultivate our entrepreneurial attitude?”. This article exposes the inner-workings of a rapidly-growing city, and as both residents of Austin and enthusiasts of architecture, it’s a fascinating read that truly hits home. Realizing that we’re living amidst a major cultural, economic, and technological transition is a fascinating revelation!

This month’s issue also features a building types study of the Circuit of the Americas (COTA), the United States’ only facility built to host the Formula 1 Grand Prix race that will take place this weekend. Designed in part by Austin-based Miró Rivera Architects, this massive 1,200 acre venue also houses the city’s largest outdoor music venue at 14,000 max capacity. This dual-purpose site is anchored by a dynamic Observation Tower, a stunning feat of modern engineering, built to evoke the “blur of light that trails cars racing in the night”. Rising 251 feet, the Observation Tower is sure to become a recognizable staple in Austin’s more rural acreage. This venue reflects Austin’s rapid growth and, with SXSW, Austin City Limits, and the X-Games calling Austin home, also solidifies it as a true destination city.

Shifting the theme from technology to the environment, Interiors & Sources October issue ranks the Top 10 LEED Projects of 2013. Coming in at #10 is UT’s very own Student Activity Center, obtaining LEED Gold by optimizing energy performance, utilizing recycled content materials from the region, and maximizing daylight. The article divulges key factors in the design process behind Overland Partners‘ final product, and stands out as a wonderful contribution UT’s campus.

Want to read through these featured articles on our great city? Both periodicals are currently located in the Reading Room, and our archive of bound volumes can be found in our stacks. Love the educational design showcased in the Interiors & Sources issue? Keep an eye out for Architectural Record’s November 2013 publication, which showcases higher education projects in their building types study of the month.

As always, we’re huge advocates for periodicals here at the Architecture & Planning Library. They’re an indispensable resource for what’s going on in the design world today, highlight a great range and depth of projects, and offer an incredible source of inspiration for your own design efforts. And we’re even bigger advocates when they highlight our beloved city. Come check ’em out today!

Architectural Record Call No: NA 1 A6
Interiors & Sources Call No:  NK 1700 I64

Oversized Books are an Overdose of Awesome

This semester, we’ve started directing the spotlight towards some features of the Architecture & Planning Library that we think are awesome, especially our array of journal subscriptions and New Books table. Today, we have another addition to add to our lineup: our oversized books shelf!

Located just to the right of the New Books table and circulation desk, our oversized books shelf is hard to miss, especially if you’re heading into the stacks to find that book on Paul Cret for your research paper. These books are too large to fit snugly in our normal stack arrangements, and often, they are some of the most interesting and comprehensive!

Currently featured on the top shelf for easy reading is The Phaidon Atlas of Contemporary World Architecture. Phaidon is a publishing giant known for creating textbooks that are just as beautiful as they are informative, and this atlas is no exception. Its 834 pages measure out at a whopping 21″ x 17″ and contain over 5,000 stunning color images and architectural drawings of some of the most outstanding work done across the world since 1998. Think of this monolith as hundreds of modern architectural periodicals bound together – without the advertisements and agendas. Works of contemporary giants are featured amongst up-and-coming architects in various countries, and projects range from the smallest of houses to prominent airports, art galleries, and office buildings.

This resource is truly unparalleled by any alternative atlas or journal. I often find myself wandering over to the oversized books shelf just to page through the imagery and drawings as a reminder of why architecture is such an inspiring field to be a part of.

Even better? There’s another oversized book shelf in our Reading Room. Yet another one of our not-so-hidden gems in our library, I hope you find yourself frequenting our oversized books shelves in the future!

Call Number: -F- NA 687 P43 2004