Tag Archives: religious architecture

exhibition

To Better Know a Building Exhibit: Little Chapel in the Woods

Little Chapel in the Woods
Little Chapel in the Woods

The Architecture & Planning Library and the Alexander Architectural Archive are pleased to announce the second installment in the To Better Know a Building series.  Buildings featured in this series are selected by popular vote and exhibited the Battle Hall reading room.  The Little Chapel in the Woods, designed by architects O’Neil Ford and Arch Swank, is this semester’s winning entry.  It will be represented by the original construction drawings and photographs from the Ford collection. These pencil on paper drawings are a fine example of the art of construction drawings.

The To Better Know a Building series seeks to explore buildings through the drawings and other visual items found in the archive and library. Working drawings, including plans, elevations, and sections, often communicate the realization of design intent and are ideal  vehicles in teaching through example. 
 Exhibit openings include remarks by architects, and observations are encouraged from attendees to help promote discussion in understanding both the building and the profession.

Brantley Hightower will help celebrate the exhibit opening by offering remarks about the Little Chapel in the Woods. Hightower is an educator, author and founding partner in the San Antonio firm HiWorks.  He received a BA and a BArch degree from UT Austin as well as a MArch degree from Princeton.

Attendees will also have an opportunity to vote for the next building featured in this series from a list provided by the Alexander Architectural Archive.

Please join us for the exhibit opening reception Monday, February 16 at 6pm in the Architecture and Planning Library reading room. Austin’s Pizza will be provided while it lasts.

special collections

Monuments Historique de France

Roussel, Joules. Monuments Historiques de France. Ensembles d’Architectura, Détails Décoratifs, Documents, d’après les Archives du Ministère de l’Instruction Publique et des Beaux-arts. 3 Vols. Paris: A. Guérinet, [n.d.].

Assembled by the French Ministère de l’Instruction Publique et des Beaux-Arts, Monuments Historiques de France is a three volume series containing over 200 19th- and 20th-century photographs that document French monumental architecture from the Roman Empire to the 18th century. A range of building types are represented including public works, cathedrals, palaces and other domestic architecture. These volumes are organized chronologically and provide high-quality photographs capturing exterior, interior, and detailed views of some of France’s most renowned architectural spaces. A product of the neoimperialist era, a small section of photographs also documents Algerian architecture, though these plates are strangle absent from the volumes available in the Architecture & Planning Library special collection.

Library of Congress call numbers: NA 1041 R63 V. 1, V.2, V3

special collections

Rudiment D’Archeologie: Architecture Religieuse

Caumont, Arcisse de. Abécédaire; ou Rudiment d’Archéologie: Architecture Religieuse. 5th ed. Paris: Derache, 1886

In this French-language text, Arcisse de Caumont imagines medieval architecture as an aberrant rupture in the history of architecture in France. Situated outside the dominate classicist paradigm which flanks the period, Caumont perceives Middle Age architectural objects as degenerate. He classifies buildings according to two major eras which he terms ère romane and ère ogivale, further subdividing these categories into three epochs that express the initial moments of each in pejorative terms (terming one primordiale and, the other, primitive). This language denotes a specific attitude about the medieval period that might be reflected in contemporary literature.

As a reference work, Rudiment d’Archéologie provides access to a number of woodcuts that document buildings and architectural elements in varying states of decay. The images proliferated in this text demonstrate the specific iconographic concerns of medieval religious architecture and suggest a relationship with their architectural milieu.

The notion of aberrance is perhaps the most interesting historiographical element in this otherwise linear narrative documenting the iconographic in medieval architecture.That this degeneracy is so duly noted and then supplemented with visual expressions of space in ruin creates a curious dialectic.

Collection: Cret
Library of Congress call number: NA 1041 C376 1886

special collections

Visual Memory

Townsend, Charles Harrison, T. S. Boys, William Callow, J. Coney, S. Prout, David Roberts, and C. Wild. Beautiful Buildings in France & Belgium: Including Many which have been Destroyed during the War. London: T. F. Unwin, 1916.

This unique document reconstitutes historical renderings and paintings of gothic architecture in France and Belgium. Elegiac in tone, Beautiful Buildings of France & Belgium is an exercise in preservation, rehabilitating the obscured architectural object whose historical state was, in many cases, disrupted by the Great War. This type of visual doubling provides an early example of how what we see constructs social memory and nostalgia, and demonstrates the importance of certain types of documents in maintaining or proliferating a specific memory. Here, highly romanticized prose organized by location (Amiens, Bruges, Ghent) accompany each rendering to both celebrate and mourn these sites of tremendous cultural activity and the abundance of meaning that they represent.

Library of Congress call number: NA 1041 T6

special collections

Detour au Moyen Âge

1 Comment

Mortet, Victor. Recueil de Textes Relatifs à l’Histoire de l’Architecture et à la Condition des Architectes en France au Moyen Âge, XIe-XIIe siècles. Paris: A. Picard, 1911.

Sorbonne Archivist Victor Mortet assembled 153 primary sources concerning the history of Gothic architecture in France in Recueil de Textes Relatifs à l’Histoire de l’Architecture. Originally composed in Latin, the texts incorporated into this collection were generally composed by members of the clergy and describe the construction of churches and other religious architecture between the 10th and 12th centuries. Each text includes a brief introduction in French and copious footnotes that contextualize these sources historically while cross-referencing contemporary scholarship. Accompanied by an extensive index and glossary, this is an invaluable resource to the medieval French scholar.

Library of Congress call number: NA 1043 M6