Tag Archives: design research

To Better Know a Building Exhibit Opening: This Monday!

The Architecture & Planning Library and the Alexander Architectural Archive are pleased to announce a new series of exhibits in the Battle Hall Reading room starting this October! Join us this upcoming Monday, October 13th at 6:00pm for our opening reception.

The “To Better Know a Building” series seeks to explore buildings through the drawings and other visual items found in the archive and library with focus on working drawings. Plans, elevations, and sections usually communicate the realization of design intent and can be used as a vehicle in teaching through example.

The first in the series will feature the Kimbell Art Museum by Louis Kahn. The Alexander Architectural Archive has the original construction drawings in the Preston Geren collection. Preston Geren was the associate architect for the Kimbell Museum. These pencil on paper drawings are a fine example of the art of construction drawings.

The next building featured will be chosen by a vote by students, faculty, and staff in the UT Austin School of Architecture from a list provided by the Alexander Architectural Archive.

Exhibit Opening & Remarks by Larry Speck – Monday, October 13, 6:00 p.m.
October 13 – January 30
To Better Know a Building: Kimbell Art Museum
Architecture & Planning Library
Battle Hall Reading Room

Austin’s Pizza will be provided while it lasts.

See below for the official exhibition flier. We can’t wait to see you there!

To Better Know a Building

New Books at the Architecture and Planning Library 9/23/14

We’ve got so many great new books this week, it was hard to choose! Here are three I didn’t want to put down:

The Air From Other Planets: A Brief History of Architecture to Come by Sean Lally is an intriguing discussion of the future of architecture as the design of energy. In the introduction Lally asks “Instead of thinking of architecture as a mass of inert and ossified energy–even stone and steel were not always solid masses–standing as walls in opposition to their surroundings and carving out interior space, why not look to intensify those very energy systems we know are capable of creating microclimates and distinct ecosystems so as to make them architectural materials in themselves?” (p14).  This book is a great read for anybody interested in interactive design.

Superkilen: A Project by Big, Topotek 1, Superflex edited by Barbara Steiner takes the reader through the design and construction of the multi award winning one kilometer long urban space located in an ethnically diverse neighborhood of Denmark. This book includes interviews with architects and residents, plans, maps, drawings, photographs, and an index of objects used in the project. Superkilin is sure expand your perception of the possibilities of public spaces.

Spa-De: Space and Design 19 published by Artpower is a fun source of inspiration for your next design project.  This book covers design projects from Europe, North America, and Australia completed in 2011 and 2012. Projects are presented in three sections: “Lighting Graphics,”  “Elaborately Designed Food Shops,”  and “World Spatial Design.” The beautiful large color photographs, site plans and elevations are described in Japanese and English.  Some of my favorite projects from the book are pictured below.

*Clicking the title of any book in this post will link you directly to the library catalog.

Alexander Architectural Archive Open House: Modernism(s)

Join us for the annual Alexander Architectural Archive Open House which showcases drawings illustrating Modernism(s).

The open house is taking place August 27-29 from 9 a.m. to noon and 1 p.m. – 4 p.m. Access to the archive is typically by appointment only but for the first three days of class we throw open the doors of the archive to welcome and inspire new and returning students.

The Archive is featuring hand drawn drawings, from sketches to polished presentation pieces, to motivate the student to get out and draw! See below for the official flier with additional details. We hope to see you there!

 

Feature Friday: Perusing the Past

Happy August, everyone! Where does the time go?! Aptly, for this week’s Feature Friday, we’re getting a bit nostalgic.

Almost a year ago, I wrote a post revealing how a library is actually so much more than just a place to rent books for research. It’s often a place of communal solitude, where the focus of those surrounding you miraculously rubs off on you during a study crunch; a place of calmness, predictability, and ease, where methodical sounds of footsteps pacing the stacks, the beeping of barcodes, and the flipping of pages enfolds you and makes you feel truly comfortable in the space you’re in; and, most importantly, a place for inspiration, a place where you’re completely surrounded by thousands of books that you know you’ll never even touch, but could if you had the chance. I mean truly, what is more beautiful than a place that habors an endless amount of knowledge?

That’s why this particular Feature Friday focuses on something that’s not a unique feature to this specific day, week, month, or even year; it’s a feature that is present each and every hour, minute, second that we’re open: our stacks.

More specifically, here at the Architecture & Planning Library, our second floor harbors hundreds of solid-color, stately-looking hardcover books that are actually a few issues of journals bound together to form one convenient package. Those of you that have done research in our library likely know exactly what I’m talking about: the rows and rows of navy blue, evergreen, and maroon shells that make you feel like you gain intelligence simply by walking through (“contact intelligence” if you will – can I trademark that term?). Most researchers, however (including myself!), tend to start by looking up a specific topic in the catalog, jotting down a call number, journal name, issue number, and page range, and beeline straight to that specific journal.

There’s nothing wrong with that by any means, and I love when I have the opportunity to utilize sources other than the internet. However, today I’d like to encourage you to consider exploring these journal archives without a particular goal in mind, just to see what you find – especially if you’re studying an architecture or design-related major!

…Why, you may ask? The idea of blindly pulling a plain-covered book and flipping through its pages seems a little counter-productive versus the typical strategy of spine shopping in a library or bookstore. However, I’ve come to realize that discoveries found without a clear-cut end product in mind are often the most fruitful. Here’s an example:

Above is a photo of a two-page leaflet found in the July 1964 issue of Architectural Forum. (Yes, you read that right – 1964 – and we have issues dating back to 1917!) Aside from staring wide-eyed at the advertisements that made me immediately want to rewatch seasons one through six of Mad Men, this article caught my eye due to its detailed plans, sections, and sketches that were 100% created by hand. The spread depicts the plan to bring Pennsylvania Avenue – Washington D.C.’s most prominent thoroughfare – back to its original grandeur. The White House is located in the top left corner, and the avenue runs to the Capitol at the bottom left. Immediately, I went to the ever-useful Google Maps to compare what was so beautifully illustrated in 1964 to what the exact area looks like today.

So. Awesome.

It’s discoveries like these that continually drive my insatiable curiosity to explore beyond what I’m required to. I’ve only been to Washington D.C. once – when I was in elementary school – and can assuredly tell you that I was not particularly fixated on assessing the quality or design of the public spaces around some of our nation’s most prominent and vital monuments at the time. I am now, however, fascinated by comparing elaborate plans conceived decades ago to how they were ultimately implemented into city fabric. Additionally, I was flooded with questions: how was this space adapted over the years? What concepts of the 1964 plan were removed from the final product? Were they actually there originally, but replaced over time by something else? How does this comprehensive scheme work today? Is the social experience as lively as intended? Did it ever function as intended?

By simply paging through a journal from decades ago, I have stumbled upon a topic that I could potentially develop a research paper on – or even a thesis or dissertation that expands its sample into a broader inclusion of major city plans over the years. How rewarding is that?! This is why I encourage you – or any user of any library across the globe – to peruse the past without a purpose. You’ll learn what interests you without an assignment looming over your head – which is a peril of many students!

Summer is as good of a time as ever to explore, and we’ve but a mere month of it left. What better way to beat the heat than jumping into a visual time machine and uncovering traces of the past that you had no idea existed?

Sounds like a great bucklist item to me.

Semester Recap: “Inside Modern Texas: the Case for Preserving Interiors”

The Spring 2014 semester was an incredibly exciting one at the Architecture & Planning Library – especially for events! My personal favorite brought together multiple facets of the library and beyond: Emily Ardoin’s curation of the exhibition “Inside Modern Texas: the Case for Preserving Interiors.”

Beginning as a Graduate Research Assistant appointment in the Fall 2013 semester, Emily, a recent May 2014 Master of Science in Historic Preservation graduate, was tasked with the goal of pulling together an exhibition for the Architecture & Planning Library’s Reading Room that would be on display from early April through September 2014. This was no easy task, as she started completely from scratch! For inspiration on finding a topic, she sifted through myriad issues of Interiors magazine, Texas Architect, and more journals from the Architecture and Planning Library. Ultimately, Emily utilized her Interior Design background and Historic Preservation studies to create an exhibition topic that was specific enough to pin down a clear focus, yet broad enough to include a wide array of archival materials from the library and Alexander Architectural Archive.

The end result was “Inside Modern Texas: the Case for Preserving Interiors,” which aligned perfectly with the Society of Architectural Historian’s Annual Conference, held in Austin in April. We were lucky enough to go behind the scenes with Emily in the final weeks of her curation process. The exhibit’s opening reception on April 10th brought together conference visitors, library and archive employees, UT professors, students of myraid majors, and more.

Emily’s exhibition is a visual testiment to the incredible depth of resources available for researchers at the Architecture & Planning Library and the Alexander Architectural Archive, as well as the vital research endeavors that are created from endowments and scholarships. Says head librarian Beth Dodd:

“We are always looking for ways to enhance the student experience, and curating an exhibit is an incredibly rigorous process that demands thorough research, careful selection and interpretation of materials, and exhibit design,” says Dodd.  “The endowment created by the late Professor Blake Alexander now enables us to offer our students this funded internship.”

Now, as we approach the official first day of summer, we want to remind you that “Inside Modern Texas” is on display in the Reading Room until September! We can’t think of a better way to beat the heat than to go on the beautiful visual journey that Emily has curated for us.

Semester Recap: The Unbridled Beauty of Watercolor Renderings

To kick off a series of blog posts recapping the Spring 2014 semester, we figured we’d start with one of the most visually captivating: watercolor renderings from our very own Alexander Architectural Archive.

Earlier in the semester, Judy Birdsong’s Visual Communications studio paid a visit to the Archive to check out some of our working drawings in order to see how they have changed over the years. This is a completely fascinating progression, and one of my personal favorite things to view when I visit the Archive for my own research needs. However, a few weeks later, students were assigned a project requiring watercolor — and the watercolor renderings the Archive has are an absolutely incredible resource!

I was lucky enough to be given a similar exposure to the Archive’s watercolors by Curatorial Assistant Nancy Sparrow, and I’m here to pass on the unbridled beauty. If any of you happen to have been looking to improve your architectural watercolor skills, the Archive is an unparalleled resource!

Throughout final reviews, a similar version of the same comment often comes to the surface: accurately conveying an architectural idea heavily depends on the way you draw or render your final presentation graphically. With so much focus on computer generated renderings in practice today, watercolors are almost slowly being vaulted into the ranks of a lost art. These stunning examples from the Archive showcase immaculate talent that displays a clear understanding of color, shadow, contrast, and fine detail by the artist.

We hope the following high-resolution images inspire you in some way, whether out of pure admiration, or to pursue a new (or revived!) technique in the renderings you produce yourself. Click on the below photographs to view in beautiful detail!

I was floored by this beautiful rendering of the Flawn Academic Center, located just across the mall from Battle Hall. Nancy and I could not stop admiring the glass…
…as well as the rectangular screen detailing that makes the FAC’s facade so distinguishable on campus. Truly, I could stare at every facet of this piece for hours!
This rendering of the Blanton Art Museum by Kallmann McKinnell & Wood Architects features a more soft and controlled style versus the more lively and articulated piece of the FAC. I love the gradient of color in the trees and the wax-like reflection of the roadway.
This detail view reveals the attention paid to the tiling under the eaves, the careful shading of the windows, and – my personal favorite – the almost exact reflection of the fenestration in the sheen of the roadway. This is such a unique technique that adds to the character of this piece, and I’m feeling a creative spark inside me just typing this!
We also love this rendering of the drama building, also on UT’s campus. This piece features some of the more lively, broad strokes of the FAC rendering. I, personally, love articulating trees and other plants with markers and watercolor, and this artist used flattering, vibrant green hues to offset the tan and sand hues of the featured building. I also purposely left this image uncropped – the paint strokes at the bottom reveal a glimpse into the creative process!

I cannot stress enough how valuable an experience it is to pay a visit to the Archive to see renderings, drawings, photographs, and even tools used by the greats we house in our collections. Not only are these collections inspiring, but they are reminders that there are endless ways to represent an architectural idea. I believe this last point is the most powerful, especially for students embarking on a career in architecture and design. The profession is inherently creative and open to interpretation – and you have the power to convey ideas in your own style!

Many, many thanks to Nancy Sparrow for bringing these pieces to my attention. We hope you take advantage of the Archive’s treasures for all of the semesters ahead!

Society of Architectural Historians Conference in Austin: Then and Now

It’s official: The Society of Architectural Historians Annual Conference is underway in our beloved Austin! Please visit here for a full listing of the conference’s events.

Because of the conference’s focus on architectural history, along with the opening of Emily Ardoin’s exhibit “Inside Modern Texas: A Case for Preserving Interiors,” we decided to delve into our archive’s bountiful resources to see if we could uncover material that was especially pertinent to the conference’s visit. The Alexander Architectural Archive holds the namesake of Drury Blakeley Alexander, architectural historian and Professor Emeritus at the University of Texas, who was an active member of the Society of Architectural Historians and believed wholly in the value of archival materials and research.

This fact was proven when Donna Coates, our Curatorial Assistant for Technical Services, informed me that Alexander’s collection included folders upon folders of saved Society of Architectural Historians conference materials. These folders contain invitations, programs, general correspondence, and more! I couldn’t believe that such a treasure is held within our very own Archive walls, provided by the namesake of the Archive itself. I also gained respect for low-grade hoarders; if I could high five Alexander for ensuring he retained nearly ALL of the materials of the conferences he attended, I totally would.

One of the many postcards addressed to Alexander inviting him to SAH Conferences. This one is dated 1953 from New York City.

As I began sifting through the boxes that contained these folders, I became overwhelmed with the material. I also found myself simultaneously wishing that I could round up every interested individual in the Austin area and show them all of these wonderful treasures that Alexander had left for Archive users to potentially uncover and explore. As I grappled with the best way to present this material – ranging from the conference held 50 years ago, to showing snippets of material from every recent decade – I finally stumbled upon the folder I was looking for: the SAH Conference of 1978, which was held in nearby San Antonio.

The official brochure of the 31st Annual Society of Architectural Historians Conference amidst additional documents and correspondence.

This folder was so much fun to sift through, as it was full of correspondence between Alexander and professors from neighboring Texas universities. Alexander, for the 31st annual conference, wanted to bring together architectural history professors from across Texas and set up a collaborative session on Texas architecture – very similar to this year’s Austin Seminar. His dedicated effort to weaving a special Texas flair into the 31st Annual Conference was apparent, and, as evidenced by the official conference material from that year, certainly was not a fruitless effort. The conference featured several speakers presenting on topics relating to architecture in Texas, and he helped plan a day tour to Austin to unfurl the treasures that serve as some of the cornerstones of our great city.

A tour map of Austin for the conference. I want to go on this today!

Looking through these folders not only made me excited for this year’s Society of Architectural Historians Conference, but also reaffirmed how lucky we are to have such an incredible Architectural Archive as a resource for research and beyond. It is truly fitting that the namesake of the Archive contributed so greatly to the field of architectural history. Cheers to you, Blake Alexander!

Here’s the text tour associated with the above map. In addition to this week’s conference events, this may be a fun addition to your lineup – comparing Austin’s urban fabric to what was in 1978!

“Inside Modern Texas” Opens This Thursday!

A new exhibit, “Inside Modern Texas: The Case for Preserving Interiors,” opens April 10th at 6 pm at The University of Texas at Austin’s Architecture & Planning Library.

“Inside Modern Texas” offers insight on interior design during the period 1945 to 1975, touching upon the development of the profession and the issues faced today in historic preservation. Texas interiors from this period serve as case studies to illustrate emerging ideas in design and practice.

The exhibit includes photographs, original drawings and printed materials from the Alexander Architectural Archive and the Architecture and Planning Library. Featured architects and interior designers include George L. Dahl, Harwell Hamilton Harris, Karl Kamrath, Howard R. Meyer and John Astin Perkins.

Emily Ardoin, a graduate student in the School of Architecture’s Historic Preservation program, curated the exhibit through a new program developed with the School of Architecture.  Head Librarian Beth Dodd hopes that collaborations such as this will provide graduate students with more opportunities to use the archives to produce new scholarship.

“We are always looking for ways to enhance the student experience, and curating an exhibit is an incredibly rigorous process that demands thorough research, careful selection and interpretation of materials, and exhibit design,” says Dodd.  “The endowment created by the late Professor Blake Alexander now enables us to offer our students this funded internship.”

Mid-twentieth-century buildings are gaining widespread acceptance as candidates for historic preservation, but few retain their original modern interiors. Because they are so closely connected to human activity, interiors can be especially important conveyors of historic significance, but they are highly vulnerable to changing tastes and functional requirements. The perceived impermanent nature of interior design components, and historic preservation legislation which often focuses on building exteriors, further complicates preservation efforts.

Repositories such as the Alexander Architectural Archive provide opportunities to study the history of design. “Because interiors are so vulnerable to change, teaching and research rely on libraries and archives for historic documentation,” notes Dodd.  “In this first exhibit, Emily had to dig deep to discover material in the collections of architects who were only starting to recognize interior design as a distinct profession.”

The exhibition will be on display in the Architecture and Planning Library reading room in Battle Hall through September, and is free and open to the public. The opening reception will be held April 10 at 6:00 p.m. in conjunction with the Society of Architectural Historians 2014 Annual Conference.

Inside Modern Texas: Behind the Scenes with Emily Ardoin

Last semester, Graduate Research Assistant Emily Ardoin, a Masters candidate in Historic Preservation within the School of Architecture, introduced us to her process behind developing a curated exhibit – from scratch! Very few have this incredibly unique and rewarding opportunity, and, needless to say, those of us in the library were beyond thrilled for her. As the Society of Architectural Historians Conference swiftly approaches, which coincides with the official opening reception of the exhibition, we decided to check in with Emily and get more details from the curator herself.

To recap, Emily was tasked with developing a display for the Reading Room in Battle Hall for the Spring 2014 semester. During her brainstorming phase, she sifted through myriad issues of Interiors magazine, Texas Architect, and more journals from the Architecture and Planning Library as not only a source for inspiration, but as a gauge for what materials were available to her within the walls of Battle Hall. As most of our library users can attest to, the Architecture and Planning Library is full of information (we’re lucky to say that!), so Emily utilized her Interior Design background, current Historic Preservation studies, and a time range from World War II to approximately 1975 to help narrow her foci and eventually land on a exhibition topic that was specific enough to pin down a clear focus, yet broad enough to encapsulate a spectrum of available archival materials.

Emily also noted that The Society of Architectural Historians Annual Conference, held this year in Austin from April 9th-13th, could also serve as a source of inspiration for unearthing an exhibition focus. While perusing the paper topics for the upcoming conference, Emily noticed one in particular: Placing the Profession: Early Contexts for Interior Design Practice in the US. This, in conjunction with her educational studies, helped Emily land on her topic of “Inside Modern Texas: The Case For Preserving Interiors.” Says Emily of the topic:

“The idea behind it is that, as much as modern architecture is gaining momentum in historic preservation [nowadays], interiors aren’t always considered. This is also true of buildings of other periods, but with modern interiors, significant characteristics like spatial relationships or lack of ornament can be especially difficult to recognize.  And commercial interiors are a challenge. There can be more pressure to update constantly when a forward-thinking image is considered important for the success of a business.”

To articulate her thought process visually, Emily divided her exhibition into three main parts, the first being a brief overview of modern interior design and its principles. As interior designers or architectural history buffs may know, interior design was still in the process of growing into its own profession during the mid twentieth century. Emily, in the first third of her exhibition, lays out the several factors that contributed to the profession of interior design in Texas, focusing on major influences, including the contributions of the Dallas Market Center. Harwell Hamilton Harris created the drawings for the Trade Mart within the Center, which the Alexander Archive possesses – a key example of the types of resources available!

The second part of the exhibition transitions to a chronological overview of interiors, sourced from the Archive and images from the library’s journals. These sections serve as an excellent primer for the final third of Emily’s exhibition: the challenges behind preserving modern historic interiors. To articulate her thought process, emily utilizes three case study examples in Texas: The Wilson House in Temple, former home and showroom of the founder of Wilsonart Laminate Company and current house museum for the same company; the famous Inwood Theatre in Dallas, which features a 1980’s bar addition to its 1947 lobby interior; and the Austin National Bank Building, now McGarrah Jessee Advertising on East 6th Street, a key feature in Austin’s adaptive reuse scene.

By doing exhaustive research and spending her working days fawning over the Archive’s incredible depth of modern architectural drawings, photographs, prints, and more (it was one of her favorite parts!), Emily has created a beautiful and thoughtful exhibition that draws attention to a highly relevant topic in preservation: the retention of historic interiors. Says Emily:

The interior of a building is what its users interact with directly, so it can serve as an especially informative historic record. That same direct interaction can be a challenge for continued use of the building. Adaptive reuse can be a very useful and practical preservation strategy, but it can result in quite a bit of change particularly to the interior. At the same time, not every historic building can be a house museum. You have to balance those priorities. It’s an interesting problem that historic preservation principles do address already, but whether the focus should be stronger is worth considering.

Emily, in the process of her curation, has uncovered so many provocative topics that could benefit researchers in the future. She has made sure to note when specific interior designers are referenced in projects she comes across, providing them to the archive staff to help with future collection. Interior design as it is today is a relatively young profession, so archival material can be more difficult to find. Though it may not seem like it for her now, Emily’s exhibition will go far beyond its display dates of late March to September 2014 – at least in terms of its research!

We are so excited for her work to be displayed concurrently with the Society of Architectural Historians Annual Conference. Please join us on April 10th for the opening reception!

Inside Modern Texas: Developing an Exhibit

I’ve been working all semester on a new GRA assignment in the Architecture and Planning Library/Alexander Architectural Archive, and I’m finally ready to let the word out. My task is to develop an exhibit for display in the Battle Hall Reading Room during the spring 2014 semester. See previous examples of Reading Room exhibits here and here. I’ve never worked in a museum or archive before, so the curating process was completely new to me. Here is how it’s happened so far.

After weeks of thinking about it, I chose to combine my interior design background and current focus in historic preservation and look at interiors of the modern movement as a consideration for preservation. First I set a few limits (modern nonresidential interiors, located in Texas only, between 1945 and around 1980). The next step was browsing hundreds of the Alexander Architectural Archive‘s holdings to find images that fit the theme. I also looked for background information on specific projects in the project files for various architects. This was my favorite part of the process. What could be more enjoyable than looking through beautiful drawings all day?

Browsing the Archive with Nancy Sparrow, Curatorial Assistant for Public Services
Browsing the archive with Nancy Sparrow, Curatorial Assistant for Public Services

Meanwhile, I completed preliminary research to inform the structure of the exhibit.  For this I discovered the reference collection located in the Reading Room. This area houses building code books and general reference volumes like encyclopedias, but it also includes great specific subject reference books related to architecture and design. Books such as A Century of Interior Design, 1900-2000 and Dallas Architecture, 1936-1986 helped me to establish a framework of development of the interior design industry and overall architectural development of Texas during the chosen time period.

I also decided to do outside research on recent historic preservation projects in Texas that gave some consideration to the original interior design. Several of these projects will be featured in the exhibit.

The next step was to outline the structure of the exhibit and select final images to display. Then came the title. The title needed to convey the subject (interior design), design era (modernism), time period (post-WWII), place (Texas), and the intent (consideration for historic preservation) in a concise and catchy package. After brainstorming and rearranging words what must have been hundreds of times, Inside Modern Texas: The Case for Preserving Post-War Interiors rose to the top.

Lots of behind-the-scenes tasks are still ahead to get this exhibit up and on display. Look for Inside Modern Texas some time in March.  Meanwhile, don’t forget to go beyond the stacks to the reference collection, Alexander Architectural Archive, and even special collections for your own research needs.